Edited by Ann Temkin, this catalogue accompanies the first US retrospective of Donald Judd’s sculpture in over thirty years. Covering his entire career, it traces his shift from early paintings and reliefs to three-dimensional works—stacks, boxes, and progressions—crafted in metals and plastics, culminating in his late exploration of color. Featuring 350 illustrations and essays by leading scholars, it offers fresh perspectives using newly available archival material on Judd’s sculptures, site-specific works, and contributions to design and architecture.
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